Reviews |
|
|
What to do in Dallas/Fort Worth, Texas |
|
|
Home
The Arts
Books
Performing Arts
Visual Arts
Buy Tickets
Attractions
Kids & Family
Sports & Recreation
Best in DFW
Celebrity News
Movies
Music & Nightclubs
Reviews
Restaurants
Television
TV Listings
Video Games
Visitors' Guide
Columnists
Video
GuideLive.com/extra
About GuideLive
Blog: Arts
Blog: Local Scene
Blog: Movies
Blog: Music
Blog: Eats
Blog: TV
Blog: Punchbutton
Blog: Shopping Buzz
Blog: Texas Pages
Newsletters
Submit an Event
Search Archives
|
Ryan Cabrera grittily tops off his pop-tart image12:00 AM CDT on Monday, May 12, 2008You don't have to pity Ryan Cabrera, exactly, but you can feel a bit sympathetic for the guy: His bid for the big time got him jumbled up with creepy stage daddy Joe Simpson and romantically involved with the (and this is an awesome distinction) less-talented of his progeny, the hapless Ashlee. Ouch! Not exactly the kind of thing that brings oodles of street – or any other kind of – cred. Although it helped establish him in a teen-dream kind of way, that's a label young Ryan has been steadily kicking against these last few years, working hard on an album that is all his own, alterna-gritty and real. That album, The Moon Under Water, drops Tuesday, and it shows what Mr. Cabrera always possessed: a workmanlike, if unamazing, song sense that is actually better than his pop-tart reputation might imply. But, as his show Sunday night at the Palladium Ballroom's Loft illustrated, there are certain benefits to far-reaching pop-tart fame. Where Mr. Cabrera once drew hundreds, on Sunday a half-moon shone down wanly on (at the most) 75 fans. And this was a hometown crowd full of family and friends. (Mr. Cabrera is a veteran of local bands and even called his first album Elm St.) Whatever – Mr. Cabrera seemed to relish the freedom of his new image, doing both old favorites such as "Shine On" and "True," and songs from the new album, such as "I Will Remember You." He performed them all with crowd-pleasing aplomb and even a bit of grit, leading one to believe that his new, independent direction might be a good move, and not just a bit of pop-star posing. This text is invisible on the page, but this text is affected by the invisible item's flow. This text is invisible on the page, but this text is affected by the invisible item's flow.
More headlines
'Monkey: The Quest to the West' amplifies spirit of Chinese classic Magnetic Fields brings 'bubble-gum goth' to the Majestic Voices of Change takes a trip back to 1960s with hypnotic 'Stimmung' Fort Worth orchestra highlights lesser-known Latin American works Contemporary Theatre of Dallas breathes new life into 'On Golden Pond' |
Advertising |
|
Frequently Asked Questions | Contact Us | Privacy | Terms of Service | Site Map | About Us | Quick Links
© 2008 The Dallas Morning News, Inc. |