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The how-to of hitting on her
Relationship books tend to be geared toward women, even in today's contemporary, modern, progressive, ultrasensitized, emotionally lactating society. There's just not as much market on the male end of the gender spectrum for earnest reflections about where romance went wrong.
The analysis there is more succinct.
Friend: What happened with Kate?
Man: She was crazy.
Friend: Oh.
Contrasted with hundreds of volumes devoted to Why Won't He Call Back? or How to Stop Loving Malevolent Jackanapes and Settle for Two Cats and a Condo, there's a bare dribble of slim tracts with an un-self-conscious, goal-oriented approach that wouldn't go over terrifically well with the Oprah crowd. Two on shelves now are Night
Games! A Guide to Understanding & Enjoying the Nightclub & Bar Scene by Rodney Battles and The Guide to Picking Up Girls by Gabe Fischbarg.
Mr. Battles is a telecom sales professional in Hurst. Mr. Fischbarg is a lawyer and TV producer in New York. Their livelihoods are a happy match for their subject matter. Making a connection in a bar is a matter of advocacy, of projection. The white noise of loud conversation, music, smoke and compacted humanity means a bar is no environment for quiet gestures, heartfelt sentiments or sly wit.
Both authors counsel broad strokes and bold colors. They tackle the issues that have flummoxed generations: overcoming fear of rejection, reading body language, opening lines, closing the deal.
Night Games! is more literate and lively and much less crude than Guide,
but neither would win any writing prizes. These are unvarnished how-tos. Just
check some of the subheadings: "Engage a woman's senses," "Do not waste time with mean girls," "Look like you're having fun" and – a personal favorite – "Alcohol
is very, very important."
Mr. Battles says male readers like his section on what a woman's choice of drink says about her or (chardonnay equals no pushover, Long Island iced tea means trouble). Women have agreed with his contention that most men at bars don't have a clue what they're doing. They try too hard or not at all, he says.
Published
in the Dallas Morning News: 01.17.03 ___________________________________
Great
expectations
Another
dark afternoon of the soul. The classic preliminary hook-up
at Starbucks. That first-date meeting with somebody new
to see if there's any hope there at all.
An
hour spent over coffee starts to feel like Napoleon's
retreat from Moscow. Pinched, polite smiles. Uncomfortable
pauses in conversation. Eyes roam elsewhere, anywhere.
Quick glance at the watch. Clipped farewells.
Next,
please.
Remember
it's supposed to be fun. Too often, especially among the
no-longer-young, first dates are anticipated with the
enthusiasm reserved for a dental appointment. They're
considered a necessary evil, not an opportunity for discovery,
certainly not for joy.
Dating
is something folks in their 30s and 40s have been doing
for a long time, or it's something they're doing again
after a breakup. In either case, bad attitudes abound.
Dating is seen in utilitarian terms, as a way station,
the means to an end rather than an experience to be savored
for its own sake. "Finding someone" and "settling down,"
phrases they once dismissed as defeatist, become mantras
for action.
Yes,
wading through cappuccino yet again with Mr. or Ms. Next,
Please can be a diminishing experience. But as with many
things, how you think about the situation is as important
as the objective circumstances. Nothing is good or bad,
but thinking makes it so – that's Shakespeare, not Deepak
Chopra.
Older
singles carry more baggage, toting around the memories
of past disasters and assumptions about what not to do
next time. The danger is that they've learned lessons
too well. Suspicion and defensiveness can be as defeating
as gullibility and impulsiveness.
Dr.
Judith Sills, the author of a couple of commonsensical
guides to meeting and mating, warns against ruling people
out instead of in: "I could never go for a man who drives
a Hyundai." "I could never go for a woman who snorts when
she laughs." These are the banal prejudices of a screening
process gone amok, habits of thought as difficult to shrug
off as they are hard to defend.
She
notes another pitfall: Don't get too attached to the outcome.
Goal-setting
is all very fine, but matters of the heart – irrational,
subliminal, multifarious – are immune to day-planner exactitude.
People who got the grades, got the job, got the car, people
who describe weekends as "down time," will crash on the
shoals of expectation.
This
is how the act of dating is redefined as agony. The first
time two people sit down to coffee their minds race ahead,
to bed, to the altar, how the kids will look. It's more
load than 60 minutes at Starbucks can carry. A better
way: Smell the coffee. Concentrate on what's happening,
not what might.
___________________________________
Sweet
mystery of life ...
It's a jungle out there for over-30 daters, if Mr. Dallas'
e-mail is any indication. Tales of insensitive men and
inveigling women. Regret, recrimination, despair – all
before the dessert course. For folks who are still playing
the field – or are coming off the bench – the dating
game can be very different from that bright arena portrayed
in glossy ads.
After much reading, considerable prayerful consideration,
some personal embarrassment and occasional late-night
Cinemax viewing, Mr. Dallas has divined these simple
rules for going out past the expiration date. As Oscar
Wilde said, I always pass along good advice as I have
no use for it.
1) Remember, it's supposed to be fun.
2) Don't get attached to the outcome.
3) The one who loves waits.
4) The simplest explanation is usually correct.
5) Don't apologize for what you want.
___________________________________
AT THE BAR, NICE GUYS STAND
ALONE
Attention, fellows: Don't apologize for what you want.
People are primates, sex is primordial and the meek
do not inherit the Earth. This becomes rocks-glass clear
in the bars and clubs of Dallas, where the knuckle-dragging
starts at happy hour and continues past closing.
Appalled by the spectacle before them, many men persist
in believing that their decent instincts, discerning
tastes and fair intelligence will get them somewhere.
"I'm trying to do the right thing," they moan. Well,
virtue is its own reward, but don't expect a date.
Paying attention to society's scolds – the tofu macro-neurotics,
the hair-shirted naysayers, the sour-apple cranks –
is a sucker's bet. Watch the scamps instead and learn.
Think Stone Age, not New Age.
Studies of social interaction find that men who project
confidence, even overbearing confidence – that is, arrogance
– make a strong first impression. They're perceived
as brighter, more vital, more successful.
Confidence denotes capableness – in business, in life,
in sex – and capableness is prized. Even a negative
first impression can turn positive. The guy who initially
registers as "that jerk" ends up as Mr. Right with Greek-tragedy
inevitability. Pastel people – the even-keeled and consoling
– wash out in the hothouse environs of a bar.
Still, nice guys persist in their folly, which takes
different forms. The sensitive New Age male looks perpetually
pained about his historic-oppressor legacy. He's the
one who "doesn't eat meat either" and uses the phrase
"you seem really evolved" without choking. The self-flagellatory
novelty fades quickly, though. Her eyes will glaze over
as the mea culpas pile up.
Another variety is the well-meaning weekend-jock oaf,
the sweet but clueless sort who can't match his own
socks and eats cereal out of the box. He may elicit
a maternal twinge, but again the odds are poor. She'll
decide his self-depreciation is warranted.
Consider instead what works, obvious and dreadful though
it may seem. For an example, rent Stanley Kubrick's
last movie, Eyes Wide Shut. In an early party
scene, the bored doctor's wife played by Nicole Kidman
gets the full-court press from a Hungarian lothario
twice her age. His manner is easy, assured. She almost
succumbs.
He slides next to her and with a flourish picks up the
glass of champagne she's just placed on the bar.
"I think that's my champagne," she bristles.
"Oh, I'm absolutely certain of it," he replies and drains
the glass.
Her chin rises defensively, but her eyes brighten. He
has her attention.
Don't take this as an endorsement of indiscriminate
wine hijacking. But value the element of challenge,
of straightforward, undisguised interest, the sense
of swords crossed. Contrast that with "I'm sorry, I
didn't mean to touch your glass ... smell your hair
... watch you walk past – pity me, the big, dumb male.''
The culture chronicler who goes by the pen name Eurydice,
author of Satyricon USA: A Journey Across the New
Sexual Frontier, sums up a perverse but winning
strategy for frustrated nice guys. Put an edge on, play
the predator, be a mystery. By the time she realizes
you're a sweetheart, she'll be hooked, Eurydice writes
in Gear magazine. "Then she'll use her imagination."
___________________________________
THE TRUTH ABOUT LYING
Honesty is the basis of any healthy relationship. Everybody
says so. Everybody is lying, of course. Omission, dissembling
and deceit are stubborn little tubers in the garden
of good intentions.
People often salute the brass certitude that honesty
is the best policy from a safe distance. Anyone who's
been asked, "Honey, does this make my thighs look fat?"
knows that a rigorous cellulite assessment is not the
proper response. The fact that Bill Clinton is still
president underscores the tacit understanding that prevarication
pervades matters of what we'll call the heart.
This aural voyeur of longstanding can attest that Burger
King is not selling the most whoppers in town. The bar
at Voltaire would
be as quiet as a crypt, and just as inviting, if its
residents were reduced to speaking the unvarnished,
literal truth. On the nightlife scene, lines and lies
are as important a social lubricant as alcohol. Put
aside those noxious opening gambits – "Your father must've
been a thief because he stole the stars and put them
in your eyes" – that are more often mocked than utilized.
Consider instead the things people really say that they
don't mean.
He says: I'll call you.
He means: So long.
Real men-Mars-women-Venus stuff this is, highly radioactive
fallout from the battle of the sexes. Even if she's
been burned before, she hears it as a promise, a tender
offer for future merger talks. For him it's a rhetorical
hiccup, an out – conscience' payment for departure.
He may call, he may not, he may not know himself.
She says: It's not you, it's me.
She means: It's you.
This is the distaff version of "I'll call you." The
idea is to spare the miserable wretch from knowing that
he holds for her all the sizzle of cold Spam. Her out
is to medicalize the situation: There's something wrong
with me. That something may be left irritatingly opaque
– Is she married? Does she have cholera? – or it may
be as painstakingly detailed as a Henry James novel.
The guy knows he's getting the brush but grudgingly
appreciates her pretending to take the hit. Anyway,
there's the slim reed of hope that she actually does
have cholera.
She says: I'm not ready to get involved with
anyone right now.
She means: In your dreams, bub.
This is a variation on the above, but with its own rich
tradition. She projects an image of being surrounded
by a time-locked force field that she is powerless to
affect. Or perhaps she's a fairy-tale princess confined
to a tower of her own gnarled – though, naturally, tantalizing
– emotional unavailability. The unspoken continuation
of the analogy if that if she's the princess, then you're
the frog – and frog you shall stay. If a guy does strike
her fancy, she'll be rappelling out of that tower like
an Army Ranger in a recruitment commercial.
He says: I don't have to work.
He means: I can't keep a job.
Implying that you're rich – or heck, just up and saying
it – is an evergreen of a gimmick, but it weighs more
credibly in boom times such as ours. Dot-com millionaires
are springing up like crab grass; $50,000-a-year millionaires,
riding on gold-card sufferance, are multiplying even
faster, so Dallas bars are a raging wind tunnel of quantification.
Figure that the blowhards are either liars or pigs.
And enjoy.
___________________________________
THE GOLD STANDARD
Mom was never a big font of dating advice. She's more
concerned about her second son's physical safety, which
is in jeopardy from tornadoes, spider bites, ice storms,
burglars, slick linoleum floors, undercooked chicken,
beef, pork and seafood, car-jackers, sinus infections,
parking deck prowlers, nail-biting and the big one,
always expressed in thesewords: "Don't leave your drink
alone at the bar. Somebody will put LSD in it."
But when she does opine on the matter of women, she
is spot-on. Her take on first dates: Don't spend a lot
because the woman will expect to be spoiled ever after
or figure you're trying to put on airs.
In Dallas, of course, the airs go on before the shoes.
The gold (card) standard reigns. The trick is to reconcile
Mom's sensible prescription with your desire to get
over, to steer between extremes: dinner at Abacus,
Theater Center tickets, a late-night round at the Library
bar versus quick bite at the Goldrush Cafe, happy-hour
movie and bottle of white zin on a Tietze Park
bench.
The central question of economics applies to the first
date: How much is enough?
Karl Marx, whom nobody has much use for these days outside
of Havana and the faculty lounge at NYU, perceived a
cash nexus to human interaction. K.'s idea was that
in a capitalist society people are forced to relate
to each other primarily on the basis of money. The result,
he railed, is inequality, injustice, strife and alienation
– a regular Saturday night at Sipango.
The cash nexus of first dates is more nuanced, but nothing
Old Red couldn't wag his finger at. The calculations
have a NASDAQ quality to them. Go high or go low, risks
and rewards.
Skimp too much and these impressions form:
1. You're poor – the unforgivable sin. See above, Dallas.
See above, Karl Marx. See above, cash nexus.
2. You're cheap – problematic. You may be bright, you
may be cute, you may be honorable, but if Luby's is
your idea of a splurge, your stock is slipping.
3. You're just not too interested. Dead in the water.
No pop whatever.
Spend too much and face different assessments.
1. You're rich – a quagmire of misapprehension. You
can't sustain the pretense. The bills come due. Resentment
and recrimination follow.
2. You're profligate – once again, problematic. The
devil-may-care attitude may charm short-term, but the
way you sweat away dinero promises a future of "Honey,
can I borrow a 20?" pleas, creditor phone calls at dinnertime
and repossessions.
3. You're a mark, all downsides. If she's nice, you're
merely pitiable. If she's a predator, you're fish food.
___________________________________
AN APPROACH TO APPROACHING
Everybody
knows everything before anybody says anything. A blanket
statement for sure, but as blanket statements go, not
a bad one.
It
has been estimated that two-thirds of communication
is nonverbal. That's especially true in the mating rituals
enacted out on the town every night, which are as primal
and predictable as anything one egret ever did to woo
another.
Through
the din, haze and confusion of bars, restaurants and
dance clubs, humans seek each other out. They're not
doing so with Noel Coward witticisms. A Noel Coward
witticism launched from one bar stool at Sipango to
the next could no more survive the landing than a snowflake
hitting Travis Street in July. Not that folks at Sipango
couldn't pop a bon mot that would make Calvin Trillin
titter. It's just that first impressions are expressed
in body language.
What
you see is what you know. The trick is seeing and knowing
and doing something about it. The reason some men can
meet women at bars is that, consciously or unconsciously,
they read who is approachable and who isn't. They don't
cozy up to rejection slips. The idea is to be aware
without becoming debilitatingly self-conscious. That's
a neat trick that takes a truckload of Zen. Try not
thinking about a pink elephant.
The
signals – stop-go, yes-no-maybe – are universal and
right there to behold.
Green lights:
• The come-hither head toss or its variation – she lets
the hair fall over her face and peers out through the
locks.
• Neck basking – she pulls the hair away with an indolent
swipe to expose her neck.
• She fondles the stem of her wineglass.
• While she talks to somebody else, her body is pointing
in your direction.
Red lights:
• Conversely, her body points resolutely away while
you're talking to her.
• Short, sharp gestures – the quick nod, the shrug,
a tight, frosty smile.
• Her hand goes to her throat – a Nell-meets-Snidely
Whiplash gesture of alarm.
All this can be going on no matter what words are exchanged.
Body language speaks volumes – in fact it never shuts
up. Social scientists say that two people, within moments
of meeting, will begin relating to each other either
as potential mates or not, regardless of their circumstances,
availability or whether they'll see each other again.
The
courtship process that leads to marriage, diapers, Suburban
and 401K starts as an unfathomable stew of pheromonal
outreach, evolutionary imprinting ("He has my cheekbones,
we will breed and my cheekbones will go on forever")
and dumb luck.
"Oh,
sweet mystery of life, at last I've found you ..."
Still
confused?
To
plumb the mysteries of mating further, try these reads:
"A Fine Romance" by Judith Sills (Ballantine), "Guerrilla
Dating Tactics" by Sharyn Wolf (Plume) and "Sex Appeal"
by Kate and Douglas Botting (St. Martin's Press). Or
watch the Discovery Channel.
___________________________________
DESTINATION DATES
Korea,
a tie in football, the destination date – incidents
of inconclusion. In war, sports or love, stalemate is
frustrating.
Even
when your social life, meaning the moon-June-spoon stuff,
is at ebb, grounded on shoals of indifference or inattention,
your social life goes on.
This
is especially the case in a city as swollen with divertissements
as Dallas. Here is no place to cloister. Sitting at
home listening to the foundation shift in black-dirt
prairie will not do.
Nor
is Ms. Right going to stride up to your door like Avon
calling. (Well, she could, but legal and clerical authorities
frown on such.)
The
destination date is the answer.
You
have things to do, you need someone to do with. Somebody
who, in that great old down-home phrase, "cleans up
good." Somebody who's not going to be too foolish, too
drunk or too dull to pull through an evening – the river
of a soul you might never drown in but won't dry up
before midnight.
This
is not the "just friends" phenomenon – a.k.a. the one
who cares, waits. That is death by a thousand cuts.
By contrast, the destination date is bloodless. It's
the 7-Eleven for social obligation, a quick cure for
the yawning maw of moment – the reception, the dinner,
the concert, the wedding that must be attended.
The
appeal of the destination date – convenience, comfort
and expedience – is the downside as well.
For
whatever reason – diverging circumstances, age difference,
AWOL pheromones – neither person has a stake. No prospects.
The destination date's convenience and comfort describe
a headache remedy, not the font of poetry and passion
that an evening out could be.
"It's
not addition – one plus one," sneered one now-coupled
former drifter on the highway of love. "It's just one
and one."
He's
right, of course. Even after the most shimmering night
of laughing, dancing and champagne-- bright conversation
will follow the letdown – a lingering, sawdust-in-the-mouth
unease, the Peggy Lee "Is That All There Is?" dip at
3 a.m.
A
touch of doubt will flit by. Maybe you should have stayed
home with the settling foundation. Note to self: Call
Ram Jack tomorrow.
___________________________________
THE QUESTION THAT ANSWERS ITSELF
The
homunculus squats at the bar. A straw fedora conceals
the spreading bald spot. The spreading waistline swamps
relaxed-fit jeans. A rawhide tan bears witness to 50-plus
years of indulgence, like Dorian Gray's portrait. The
overall look rests somewhere between Parrot-head and
Jaba the Hutt.
His
companion is lovely, uncommonly so. Tall and sleek,
raven-haired and bright-faced – piercing eyes, impertinent
nose. She leans toward him, rapt. They're oblivious
to the noise and haste around them, alone in a bubble
of mutual attention.
The
question that forms in the mind of the casual observer
has been asked a million times before in a million different
settings, the perplexing, vexing question: "What's she
doing with him?"
Well,
you say to yourself, maybe she's his daughter. But you
know better. And anyway, you think, love prevails: May
and September – both nice months – why not? But you
know better. The question answers itself.
Witness
the brutal dynamic of evolutionary psychology. Despite
all our titanic striving for gender equality, a discomfiting
norm seems stubbornly stuck in the culture's craw: Men
are more attracted to youth and beauty; women are drawn
more to prosperousness and stability.
Before
you start hyperventilating, Mr. Dallas grants that this
observation is a gross oversimplification, a glib benediction
for atavistic behavior, a revanchist sop to entrenched
elites based on selective data reading. And of course,
turnabout is fair play, and everybody knows somebody
who knows a no-longer-young woman who has a 20- year-old
boyfriend. Given all that – you should've seen this
guy.
Mr.
Dallas didn't invent biological imperatives, he just
knavishly genuflects around them. Kate and Douglas Botting
crunch some numbers in their lively 1995 study, "Sex
Appeal." They note that male sperm replenish at the
rate of 12 million an hour. Woman are born with a finite
number of eggs and will use about 400. For men the sex
act requires only the briefest investment of time –
sometimes awkwardly brief, but that's a different talk
show. Women face nine months of pregnancy plus Oshkosh
costs.
With
physical disparities like that and the lingering wealth-power
gap between the sexes, it's little wonder that from
Melanesia to Midlothian, in Timbuktu and Tyler, too,
geezers are picking daisies. This is bitter medicine
for the past-bloom woman of substance, but it's no picnic
for the middle-aged man of limited means either.
Sugar
daddy central
You'll
grin in amazement or grimace in disgust at the decidedly
un-Disney Beauty and the Beast played out regularly
at these night spots: Sullivan's
Steakhouse, Sambuca Addison,
Nana Bar, Palomino,
the Capital Grille, Samba
Room and Sipango.
•
Mr. Dallas makes his urbane appearance monthly in GuideLive.
Mr.
Dallas is exclusive to GuideLive. © 2003 The Dallas
Morning News
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